Telegram is an electronic composition inspired by the sonic textures of nature and the rhythms of digital communication. By layering percussive gestures with synthesized and processed vocal samples, the piece explores the tension and harmony between the organic and the artificial, crafting a sound world where technology and nature converge.

Percussion in Telegram mimics the quick, erratic rhythms of birds in flight—calls, flutters, and wingbeats reimagined as digital pulses and rapid beats. These tactile sounds offer a grounding, earthly presence, contrasted by ethereal, drifting vocal layers that evoke the distant, fleeting quality of birdsong.

The voices—distorted, stretched, and fragmented—morph from intelligible speech to abstract sonic textures. They hint at communication, yet remain elusive, mirroring the ambiguity of both avian language and digital messages that are sent, received, but not always understood.

In merging natural sonic patterns with synthetic manipulation, Telegram invites listeners into a liminal soundscape—one that reflects the chaotic beauty of birdsong filtered through the lens of human technology, and suggests the possibility of harmony between the two.